*The most arresting resemblance between the
two constructions … concerns tone: viz., in the formation of both relative
and out-of-focus clauses, certain underlying tones must be replaced by
high tones, and exactly the same replacements must occur in both clause
types." (Schachter,
1973: 22 f.)
C. Verb serialisation and focus extraction: spread
of linking tone
"He shot Kofi with a gun."
(1)
Ïè-
yìì
tuáoá
fìrìì
neà
koátoákuáoá
muá
toá
bõàõà
Koàfä
kuàmà
noà.
3s-
pull-out
gun
come-from
3sPOSS
pocket
inside
threw
hit
Kofi
kill
3sOBJ
"He took the gun
from his pocket and killed Kofi."
(2)
Koàfä
naà
õà-
yäì
tuáoá
fìräì
neà
koátoákuáoá
muá
toá
bõáõà
noà
kuámà
noá.
Kofi
FOC
3s-
pull-out
gun
come-from
3sPOSS
pocket
inside
threw
hit
3sOBJ
kill
3sOBJ
1. "It was Kofi whom he took the pistol
came-out-of his pocket shot dead."
2. "It was Kofi who took the pistol
came-out-of his pocket shot him dead."
3. "It was Kofi out of whose pocket
he…"
(3)
EÀtuáoá
naàà
õà-
yäi
fìräì
neà
koátoákuáoá
muá
toá
bõáõà
Koàfä
kuámà
noá.
gun
FOC
3s-
pull-out
come-from
3sPOSS
pocket
inside
threw
hit
Kofi
kill
3sOBJ
"It was the pistol that he took from
his pocket and shot Kofi dead with."